When you’re in the middle of writing a novel or compiling a poetry collection or some other big project, it can be easy to forget the end goal. One way to maintain your momentum is to remind yourself what will or might happen when it’s completed.
Try creating something that represents your aim, like a mock cover for the finished volume. Or find a trophy, even if it’s made of cheap plastic, and label it something like [Your name] – Forward Prize – 2017. Or even write the speech you plan to give at your first launch.
Now leave the artefact in a place you’ll see it every day, and that’ll remind you what you’re working toward. It’s not simply words on a page, but something people will buy and possibly admire.
Ye gods! I knew I was living under a rock with LiveJournal, yet I didn’t realise the exact extent until other users started hitting the Like button. I’m unaccustomed to such a response, and I much appreciate it.
I chose WordPress over sites such as Blogger because I have a couple of friends here already. Even the range of basic features are bewildering; when I typed Like button in the previous paragraph, it gave me a Wikipedia link to the Like button page. After a little more kicking the tyres, I’m sure I’ll soon crawl into the 21st century.
Today I’m talking about endings. I recently read two short story anthologies by the same publisher: one from 2011, the other from this year. It struck me that a high number of the pieces in both of these did not have a proper ending, in fact the editor seemed to prefer this style. In some cases, the author would conclude with a limp or vague paragraph. In other cases, it would simply stop, leaving me checking for a missing page and in a couple of cases, asking, “And?” out loud.
It was disappointing rather than annoying because a lot of the stories in the anthology contained great ideas that were let down by their execution.
I try to give my stories a twist ending, or at least a clear marker the reader has reached the end. I don’t always manage, however. I recently received a rejection from a publisher looking for funny stories because, “… the ending lacked a good punch line.” To me, a rounded ending is important in a short story. Even if the reader is meant to be left in some doubt, there ought to be enough clues or information in the body of the story to narrow it down to two or three possible options about what might happen next.
One important exception, however, is autobiographical writing. I’m going to come back to this in more detail on Monday. For purely fictional writing, however, an ending is king.
I was going to leave it until Monday to post about the Not the Booker Prize run by The Guardian, but the deadline is midnight on Sunday.
In my last entry, I mentioned my writing sensei Zöe Venditozzi. Her novel has been shortlisted, and I encourage you to click on the photo above and vote for it before the deadline of midnight on Sunday.
That’s not just because I know her, but because it’s a cracking character-driven piece from a début novelist, featuring alongside established authors Neil Gaiman and Kate Atkinson. It also happens to feature a chap with my very initials who happens to volunteer at hospital radio, just as I do.
To cast your nomination, you’ll need to create a Guardian account and write a short review in the comments. As the paper says, Comment is free, and so is your vote.