Right Now or Write Later

The V&A design museum in Dundee officially opened its doors on Saturday. I’d been fortunate enough to win a ticket in the ballot so I could be among its first visitors.

However, this entry is not a write-up about the experience. Rather, it’s about the balance between reporting on an event as a punter versus enjoying the experience in person. This thought was prompted by a colleague who asked me to take lots of pictures while I was there.

As regular readers know, I do sometimes report on events for this blog, but my style has changed over the years. When I used LiveJournal, I would write about anywhere I’d been: music festivals, airshows, boat trips, and so forth, often taking dozens of pictures.

These days, I’m of the mindset that I report back on only notable places and often don’t bother taking pictures. I did tell my colleague I’d take one to show her the inside of the V&A, but that would be her lot. After all, there had already been many published in local media.

During the five or so minutes I spent taking and sending the aforementioned picture, it reinforced how little I was engaging with the surroundings. I was far happier to see it through my own eyes without the aid of technology. I’ll leave that to the real journalists.

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The Thick of It

In the middle of last week, the UK was hit by an exceptionally strong gust of snow. My area was given a rare Red Warning, and that led to some cancellations and closures.

Julia Margaret Cameron [Public domain], via Wikimedia Commons
Charles Darwin by Julia Margaret Cameron [Public domain], via Wikimedia Commons
On Thursday, for instance, my office was closed and I was excused from doing the ‘day job’. I instead used the time to send work to a publisher. On Friday, I was supposed to be exhibiting my Fun a Day pieces created during January, but that’s been postponed. In fact, the one event that went ahead as normal was partly outdoors.

So on Saturday, I visited the Botanic Gardens in Dundee, whose volunteers are compiling an anthology of written and visual work inspired by the grounds. To this end, they’ve organised Focus Days where writers, photographers and artists are given a tour of the trees and plants to generate ideas. In this instance, the tour was restricted to the heated glass houses, although the participants seemed willing to go out in the snow.

The tour was followed by a lively discussion about the work that should appear in the anthology and how it should be created. Some of us shared our existing work; I read a piece I’d already submitted for consideration and three of the other members inferred religious symbolism where there wasn’t intended to be any.

Frustratingly, no consensus was reached about the anthology as a whole, but we reconvene in three weeks and we’re looking to take it forward from there.

If any new work was generated by Saturday’s visit, it’ll probably be infused by the ambient conditions. Some writers use it almost as a character in its own right and, done well, it can enhance a scene without distracting the reader. In To Kill a Mockingbird, Harper Lee invokes sticky summer heat; Kirsty Logan steeps The Gracekeepers with a cold sea chill.

Even when you’re trying to create a fictional universe, of course, nobody can escape the weather. Shooting began on the first Star Wars film 42 years ago this month in Tunisia, a location chosen for its desert landscape. On the second day, the country was hit by a rare winter rain that hadn’t been seen for 50 years, destroying sets and damaging equipment.

Together in Electric Screams

This is the last Monday of working on my MLitt Dissertation, freeing me to give you more in-depth entries from next week onwards. But I’ve one more filler photo for you, and it’s the cover of said dissertation.

There is a creative part of up to 15,000 words, which can include prose and/or poetry, and 3,000-word part to discuss it further. Jennifer Goldman’s Electric Scream is set in 2027 and is written from the perspective of a 29-year-old poet who finds and transcribes a video diary she kept as a student in 2016.
You might notice the dissertation is ‘written by Gavin Cruickshank’, and that’s because I have to use my legal name. I would otherwise use my middle name Cameron.

Last week, I was speaking to a poet and I accidentally used this individual’s last name, which can also work as a first name. The poet accepted my apologies but described such mistakes as a ‘pet hate’.

I was furious with myself not only for doing it to someone whose work I admire, but because I feel the same way when someone spells Cruickshank incorrectly, especially when I’ve spelt it out or the other party has made an assumption. J K Rowling didn’t help by giving Hermione Granger a cat called Crookshanks.

I therefore use my middle name to avoid the spelling issue. Of course, this sometimes causes as much confusion as it saves. At a reading a couple of weeks ago, the organiser thought Gavin Cameron and Gavin Cruickshank were two different people and wasn’t sure which of us had agreed to participate.