When I first began writing in 2010, my output was exclusively prose. I was in a writing prompt group where I would regulary produce short stories. Around the same time, I was producing longer works through National Novel Writing Month, normally known as NaNoWriMo.
My step into poetry happened around three years later. It coincided with being single for six months after a long-term relationship, but I can’t say how much that influenced me. Since then, I’ve crafted my poetry more and more to the point where I almost exclusively write verse.
Recently, however, that has started to reverse, perhaps because my poetry group is taking a one-month break. I’ve drafted one piece that will probably end up being no longer than 150 words, and I’m planning another with five characters who will likely dictate the length of the story before I know it myself.
NaNoWriMo is a contest to write 50,000 words in November. It’s not widely known outside this circle that there is a less formal contest at other times of the year known as Camp. April saw the last one, and we’re currently in the July edition. In these months, you pick your own word count and type of long-form piece.
However, I’m not writing these stories as part of Camp as I don’t intend them to be terribly long. What I’ll be doing instead is keeping aside my existing longer pieces and working on them during November.
What I have to do now is find a way to keep up my prose momentum from now until then. That said, the excitement in the group tends to swell around November, and that helps a lot.
With National Novel Writing Month (NaNoWriMo) underway, there is currently a worldwide race among members to tap out 50,000 words each by the end of November. But how does someone find the time to jot down an average of 1,667 words per day?
For someone like me who generally works core nine-to-five office hours – with at least one shift per week lasting until 6:30pm – I have to make use of any time possible.
I also organise the events for our region. Throughout the year, we have two hours of ring-fenced writing time every Tuesday evening, and an extra two hours per week on a Saturday throughout November. While at meet-ups, it’s relatively easy to crack on with work because everyone else is also trying to reach their word count goal.
The difficulty arises on non-meeting nights. I want to achieve a certain number of words per day, but I also need to tidy the flat and catch up with correspondence. The solution I find works best for me is based upon the Pomodoro Technique. In fact, one of the official NaNoWriMo Twitter accounts ran Pomodoro word sprints just today.
In the classic technique, you carry out a task for 25 minutes and take a break for five. However, I find that isn’t enough time to allocate to writing, so I prefer a double Pomodoro: write for 50 minutes and tackle another task away from the PC for 10 minutes.
I also have an instrumental playlist that lasts for approximately 50 minutes and helps me slip into the mood for writing, as that’s what I chiefly do when I listen to it.
Whatever time management techniques work for our members, however, we the organisers always make it clear that National Novel Writing Month is supposed to be fun.
If anyone finds it overwhelming, we want them to know it’s perfectly acceptable to leave aside a project, and there is no shame in not hitting the 50,000-word target.
Having received my kit from the headquarters of National Novel Writing Month, I’ve been thinking about our group’s plans for when the contest starts in November. I also need to do some work on Hotchpotch, my open-mike for writers.
As such, I’ve had no time to write a full entry. However, we should be back next week with something to say.
As we head into the July edition of Camp NaNoWriMo, I’ve decided my project will be to revisit an old novel and turn the handwritten manuscript into a typed one.
My plan was to copy out the piece, making any amendments as I went along. But when I started writing, I found the rather bland factual descriptions were somehow morphing into something ten times as lively, with the narrator’s personal opinions peppered throughout. I’ve since written a few guidelines to help keep the voice consistent, and I’ll be introducing a counter-narrator for alternate chapters.
I don’t know why this particular leap occurred, because I haven’t revisited the manuscript since it was drafted. Perhaps it’s because I wrote it in chronological order – which is unusual in my practice, and indeed unusual among novelists in general. As such, I know how the characters develop by the end of the story.
One factor that’s helped in the past, as possibly with this piece, is the use of voice dictation software, specifically Dragon NaturallySpeaking. I initially installed this program to reduce Repetitive Strain Injury, but I now find it invaluable in other ways, since I have to speak my handwritten text out loud. This is great for highlighting individual words that slow down the narrative, and I find that some pieces have a different tone from what I intended.
During Camp, I’m aiming to edit for an average of one hour per day, although I’ve built in time to read my mailbox messages and to catch up with fellow writers in our online Cabin. A Cabin works a lot like Twitter, but is restricted to 20 people; writers can choose to be assigned to one at random, set up a private one with friends, or elect not to use one at all.
Personally, I’m finding their support invaluable, as I’ve only managed around 10% of my goal and we’re 30% through the month. There’s still time to catch up, but it will be a struggle.
In April, the first of two Camp NaNoWriMo events takes place. This is a less involved version of the main National Novel Writing Month in November, where members can choose their own word count or even a different type of literary project.
My aim was to produce another draft of the novel I’d redrafted in November, spending a target average of one hour per day. However, I haven’t done any of this editing so far because my time has been taken up organising three live events over the next month. There will be more about those in the next entry.
In fact, the entry you’ll see next week has already been partially written, and that’s because I put aside that for a piece that came to me yesterday, prompted by a sign on a coffee machine that read ‘Biscuits don’t live here’.
It certainly isn’t the first occasion where I’ve felt inclined to put one project aside in favour of another. Depending on the time constraints, I usually choose the one that’s eating away at me the most.
In the case of the biscuits poem, I probably would never have completed this if I’d left it aside to write the original blog entry. By contrast, I know I’ll come back to that entry next week because this space needs to be filled.
Last Monday, our open-mike night for writers moved back to its old venue after a refurbishment. We had an excellent turnout and enough material for more than two hours, not including the two 15-minute breaks. A couple of the staff also said they enjoyed meeting us.
Then on Tuesday, it was our NaNoWriMo meeting where we sometimes write and sometimes chat and always exchange ideas and maybe fill in each other’s plot holes. After that, I spent a little time at a playwriting evening called Scrieve where playwrights get to hear their work performed by volunteer actors.
On Thursday, I was with my poetry group Wyverns where we each presented our poems about Frankenstein on the 200th anniversary of the publication of Mary Shelley’s novel. There is a local connection as she acknowledged in an essay that the grim Dundee climate inspired her creation. Our poems have been published in a slimline booklet.
Saturday was when we had our second NaNoWriMo meeting of the week, and despite not starting until the afternoon, it was one of my most productive days so far with 2,500 words written. However, at the end of Sunday, I only had 35,482 when I needed 41,666 to stay on target. If I don’t pull my finger out soon, I’m not going to manage the 50,000 words, but dear diary, you can tell anyone I admitted this.
National Novel Writing Month (NaNoWriMo) officially ended on 30 November, freeing up time to make more detailed entries here. And what a great deal has happened over the last seven days.
Let’s start off with NaNoWriMo itself. I’m pleased to report that I hit the 50,000 word-target on day 29, although I’m still writing the story. Our Tuesday meet-ups will also continue off-season, but not before a Thank Goodness It’s Over party tomorrow.
Meanwhile, I’ve been asked to write a guest blog post for NaNoWriMo on the theme of the ‘Now What?’ months, when the contest is finished and the novel needs to be edited. I found it more difficult than an ordinary blog entry because I wanted to stick as close to the theme as possible. I’ve yet to find out when the guest post will be published, but I’ll point you in that direction when I know.
Speaking of other blogs, I took a snap decision on Saturday to start using Tumblr again after a gap of four years, roughly when I began to use WordPress. I used to keep a weekly video blog there, but I gave it up because I didn’t have the time to generate content. The videos have disappeared because my Flickr account is closed, but the transcripts remain. Tumblr will now serve as an outlet for my Instagram photos, interesting content from other people, and original long-form blog topics that aren’t related to writing.
Another place I’m active is Twitter. Some weeks ago, the allowed number of characters was doubled from 140 to 280. Having had the chance to try it out for a while, I’m ambivalent about the change. On the one hand, a sense of Twitter’s core identity has been lost as you’re no longer forced to find inventive ways to comply with the cap. On the other hand, the relaxed limit comes into its own when I’m advertising our Hotchpotch open-mike events, and it’s now possible to squeeze in all the core points without relying on users clicking the link to our Facebook page.
But what about offline activities? There have been plenty of these happening too.
On Thursday, I was invited to a St Andrew’s Day celebration at the Dundee Maggie’s Centre to read Scottish poetry. My friend Erin Farley had pointed me towards, among others, a poet called Violet Jacob from the county of Angus. It was a challenge to read work written in her dialect, but I found it an ultimately rewarding experience.
On Friday, Erin was part of a line-up telling stories related to food while the audience enjoyed soup and bread; hers was a folk tale from Shetland. This event was held in the library – not a place where food and drink is normally encouraged – as part of Book Week Scotland. I wish I’d been able to take part in more events over the week, but it overlapped with NaNoWriMo and then I needed to complete tasks that I’d put off because I was writing.
I could go on for pages and pages about Saturday, but the condensed version is that I met the author Brandon Sanderson in Edinburgh and bought his short story collection Arcanum Unbounded. Unlike the two friends who came with me, I’m new to his Cosmere, the universe in which all his sci-fi novels are set. When I mentioned this, he pointed out which stories I should read first. He seemed such a genuine man and I can’t wait to start reading.
And yesterday, a little light-hearted relief at the University of Dundee as I watched the LIP Theatre Company present their retelling of the classic Cinderella tale in If the Shoe Fits. A hilarious, highly self-referential treat.
As National Novel Writing Month draws to a close, I thought I might have run out of steam by now.
On the contrary, I hit a turning point in my novel on Saturday, a remarkable 25 days into the contest. I now have a new structure that I’m pleased with, and I’m more excited than ever to commit it to paper. The downside is that the new structure incorporates little of the material I’ve already written, so what I have now is effectively a 40,000-word collection of character sketches.
It therefore looks like I’ll be continuing this project during December as I don’t want to let the momentum trail off.
What I actually planned to do in December was to turn a certain public-domain novel into a screenplay; as far as I can tell, nobody has done it before with this book. It’s waited more than one-and-a-third centuries, though, so a few more months of delay won’t make much difference.
Finally, you might remember I made an entry regarding my experience of understanding the Scots and Dundee dialects; it was called Fluent in 1½ Languages. Since then, some brainbox at the University of Abertay has shown that understanding the Dundee dialect is as good as knowing a second language.
Over the last two weeks, I’ve been somewhat laid up with a sore throat, followed by a more general cold. If there’s one good thing to come out of this miserable period, it’s the discovery that Superdrug sells Vocalzone throat pastilles.
I’d known about these for some time, particularly that singers over the years have sworn by them. I thought I’d try a box to see whether they helped, as I’ve been performing again. I’ve found they work well.
But my condition hasn’t harmed my National Novel Writing Month word counts too much. As of posting this entry yesternight, I was on par to reach 50,000 words by the end of this month, and my story currently shows no sign of slowing down.
We’re having an incredible November so far. Our members, new and regular, have launched into the contest with much enthusiasm, generating nearly 650,000 words thus far. That’s War & Peace more than 2½ times over, or a quarter of last year’s Chilcot report.