It’s Your Letters

Earlier this month, I received a handwritten letter from my pal Katy. We’ve known each other online for nearly two decades, ever since LiveJournal was the dominant blogging site.

However, this letter was one of the few times our friendship has seeped into the real world. We haven’t even spoken by phone before. I think our last piece of written correspondence was when I surprised her by sending a birthday card to a radio station where she volunteered.

This month’s letter was actually the second one she’d sent recently. The first went AWOL en route from Wales – and has never turned up.

I occasionally speak here about the enjoyment I gain from writing by hand. I keep a particular style of notebook with perforated A5 pages, plus several blue pens of the same type so I can carry on if one of them runs out. Even when I’m working on a non-handwritten project, the first draft is usually done in pencil and only transferred to a computer at the second stage.

I’ll reply to Katy when I have the opportunity. She’s given me eight optional questions to think about, but I reckon I have an answer for each one.

Edditing Other Peoples Piece’s

A couple of friends have recently asked me to look over pieces they’ve written. At one time, it would have been difficult for me to do this as I didn’t like to give negative feedback. Having received honest critiques of my own work, I now feel comfortable about identifying areas of improvement in others’ work and making suggestions for improvement.

Firstly, I received an 11-line poem. Among other suggestions: I could see that each line began with a capital letter even in run-on sentences, which is unconventional in modern poetry; I swapped around a couple of clauses to create a stronger image; and I broke up the poem into three stanzas instead of one. These suggestions are partly personal preferences, but they’re informed by reading a lot of poetry and considering what works well and not so well.

Editing film at the Lubin film studio in Philadelphia, 1914. A reel hard job.
Editing film at the Lubin film studio in Philadelphia, 1914. A reel difficult job.

The other piece I looked over was an application for a university course, and I had help from a friend who has experience in this field. In this instance, I didn’t know all the specialist terminology or concepts, but there were aspects common to most writing styles that I could point out: using shorter paragraphs to create more negative space, which is easier on the eye; thoroughly checking spelling and grammar, for which I suggested reading the piece out loud while alone; and moving a certain project nearer the top of the application as it stood out among the others.

Ultimately, the writer has the final call on how to present their own piece. As such, I made it clear that the corrections were merely suggestions.

There is always a risk that the other party will react badly or become disheartened, particularly if you don’t know each other very well. It’s impossible to police another person’s feelings, but there are ways to make an unfavourable outcome feel less harsh. A classic is the Bad News Sandwich: a positive greeting, the negative result, a positive next step. Here’s a rejection e-mail I received last year:

Thank you for entering the August 50 Word Fiction Competition.

Unfortunately, your story was not selected as the winner this month. It was another very busy month and very difficult decision for our judges.

If you’d like to enter again, we’d love to see your words.

So when I close that message, I don’t think What an arrogant bunch, I think, I’ll up my game for September.