Unpicking Suits

Over Christmas and New Year, I had the chance to catch up on legal drama Suits up to and including season 7.

So far, it’s been an engaging watch, and I think that’s down to the strong writing. The characters are motivated by what they want, whether that’s money, power, or – especially in the case of Louis Litt – petty one-upmanship.

It’s also clear that the writers have lived the experience of being a lawyer rather than simply researched it. In that sense, it has a similar feel to The West Wing. But the writing does have some flaws.

It is reasonable that characters will think in a similar way because they work in the same field, but they often express themselves with identical turns of phrase, sometimes down to swearing in the same manner.

The other piece of dialogue that often appears is: ‘What are you talking about?’ Used sparingly, this allows a character to explain the point in a different way and allow the viewer to understand it more clearly. In Suits, however, it’s used as a crutch.

That said, I’m still looking forward to season 8, whenever I have a chance to watch it.

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The Stand-In

At around 5pm on Monday of last week, I received an e-mail from my former tutor Eddie Small. He was to stage his play The Four Marys on the Wednesday and Friday to mark the publication of the script, but one of the actors had dropped out for family reasons.

The Four Marys by Eddie Small – note that Brian Cox is the actor, not the professor
The Four Marys by Eddie Small – note that the foreword is by Brian Cox the actor, not the professor

I immediately agreed to step in; everyone would be reading their lines from paper so there would be little to learn. The play takes a humorous look at the history of Dundee through the eyes of four real historical figures who shared the same first name. My role was that of a bored tour guide who comes in at the beginning to usher a dignitary through her duties and appears again at the end to release two tourists who have been trapped in a museum for the whole play.

Although I’m accustomed to performing poetry, acting is a different skill: you’re reading someone else’s words and directions, whereas a poetry reading can be more flexible. Additionally, poets are often allowed to read from the page, although not always, while a professional actor must memorise each line.

Both performances turned out well, and I was particularly excited about being allowed to improvise so there wasn’t an awkward silence as I reached the stage. An ad-libbed line about being on a zero-hour contract went down particularly well with the audience.

It’s definitely an experience I would repeat; in fact, I would like to take part in more improv. I believe it’s one of the best ways a writer can sharpen their skills. When you’re in a scene, you’re under pressure to recall what you already know or to make it up on the spot.

Some desk research suggests that The Four Marys – published by The Voyage Out Press – is for sale locally, but is not yet available online. Here’s where you can find out more about the play.