Let’s Push Things Forward

There’s a group of ageing Hollywood actors who appear to have given up learning their craft. They might have been a hot ticket in town 30 years ago, but now they turn up in forgettable films, probably thinking only of the paycheck.

For as long as I write and perform spoken word, I never want to slip into this mentality. I always want to be able to look at other poets – and folks in other creative fields – and take something from their work that hadn’t occurred to me.

To chart my progress so far, I need to go back to the Millennium, years before I began writing. This was when I first heard the Gil Scott Heron track The Revolution Will Not Be Televised on the radio.

Gil Scott-Heron
Gil Scott-Heron (Photo credit: Wikipedia)

I’d never heard anything like it, this relentless and repetitive stream of consciousness with cultural and political references I only half understood. It opened my eyes to what can be done with words. I eventually bought the whole album on vinyl, and it’s of an equally high standard.

Another early influence was Original Pirate Material, the debut album by The Streets, and its follow-up A Grand Don’t Come for Free. I was at university at this time and whenever I listen to these, I’m transported back there.

Looking back, I can now spot weak points in the lyrics, but I particularly admire the concept album structure of the latter. There are two other major releases by The Streets that followed these, but I’ve never liked them as much as the first two.

These days, I continue to be influenced by those I’ve seen and heard: the humour of John Cooper Clarke, the forthrightness of Andrea Gibson, the politics of Alan Bissett.

I recently attended two performances by my friend Gemma Connell, who’s a dancer. But as well as movements, she made prolonged eye contact and even brief physical contact with members of the audience. And last week, I once again saw Luke Wright, who gave an energetic performance of What I Learned from Johnny Bevan. I’m now asking myself how can I make an audience feel the same way as I did, but using my own words.

Of course, there comes a point where I can have too much creative input and I think I’ve reached that stage now. So I’m going to let it settle, then start writing my own original pirate material.

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