BusyBusyBusy

Unfortunately, there hasn’t been much time to construct a full entry this week. I’ve therefore rounded up two main points, ahead of a full entry next week.

  1. Don’t forget to save your work as you write it, and back it up once you’ve finished. I was reminded of this point when I lost last week’s entry by accidentally hitting the Move to Trash button in WordPress. The entry should still be recoverable, like your computer’s Recycle Bin, but it was missing.

    Fortunately, I’d handwritten the first draft, so I was able to reconstruct it. I later reported the incident to WordPress and it was found to be a bug when using the Block Editor.
  2. As alluded to in previous entries, we’ve had trouble finding an open-mike venue after our last one closed. However, we had a successful meeting yesterevening, and we now have the same stopgap venue again for August. A few of us are meeting on Friday to discuss the long-term future, plus a potential collaboration with an Edinburgh-based group.

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The Camper-Plan

As we head into the July edition of Camp NaNoWriMo, I’ve decided my project will be to revisit an old novel and turn the handwritten manuscript into a typed one.

My plan was to copy out the piece, making any amendments as I went along. But when I started writing, I found the rather bland factual descriptions were somehow morphing into something ten times as lively, with the narrator’s personal opinions peppered throughout. I’ve since written a few guidelines to help keep the voice consistent, and I’ll be introducing a counter-narrator for alternate chapters.

I don’t know why this particular leap occurred, because I haven’t revisited the manuscript since it was drafted. Perhaps it’s because I wrote it in chronological order – which is unusual in my practice, and indeed unusual among novelists in general. As such, I know how the characters develop by the end of the story.

One factor that’s helped in the past, as possibly with this piece, is the use of voice dictation software, specifically Dragon NaturallySpeaking. I initially installed this program to reduce Repetitive Strain Injury, but I now find it invaluable in other ways, since I have to speak my handwritten text out loud. This is great for highlighting individual words that slow down the narrative, and I find that some pieces have a different tone from what I intended.

During Camp, I’m aiming to edit for an average of one hour per day, although I’ve built in time to read my mailbox messages and to catch up with fellow writers in our online Cabin. A Cabin works a lot like Twitter, but is restricted to 20 people; writers can choose to be assigned to one at random, set up a private one with friends, or elect not to use one at all.

Personally, I’m finding their support invaluable, as I’ve only managed around 10% of my goal and we’re 30% through the month. There’s still time to catch up, but it will be a struggle.

Where We Go from Here

Further to last week’s entry about our Hotchpotch venue, I’m pleased to report we’ve at least found a stopgap venue for July. I was out of Dundee at the time, so a big thanks go to our core group of regulars for helping me to take swift action.

As we look to August, we need to find somewhere that’s quiet enough to hear unaccompanied speech and that can host the group in the long term. Our old venue allowed us to use the basement every month on a Monday as it pulled in customers on what is traditionally a quiet day in the licensed trade.

The other consideration is whether to start charging members. Until now, entry has been free because our venues have let us have the space in exchange for buying food and drink. We attract around 30 people, sometimes more, per event and a charge of – say – £2 apiece would cover a £50 hire charge.

Whatever happens, I’m keen to make sure the evening sticks to the same principles: to give people a platform for their work with no judgement and no criticism.

Venues

I often speak about Hotchpotch on this blog. This is an open-mike night I run, with an ethos of no judgement and no criticism.

Yesterday, we heard that the venue we use is closing down, so we currently have nowhere to hold our next session, scheduled for Monday 15 July.

A few of the regulars are working on a stopgap venue, and we hope a permanent place can be found for August. We’ve also sent a message to members, advising them of the situation and asking for help.

So I’m afraid this entry has not much style nor substance, as this conundrum will be taking up much of my time this week.

Nonetheless, we’ve endured a number of venue closures over our ten-year history, and we’ve bounced back every time.

EDIT: In the time since this entry was written, we’ve found a stopgap place. This will give us breathing time before August.

Get Away

I’ve never been the type of writer who sets aside time every day, as I have a full-time job and other literary-related commitments.

However, the last seven days have been particularly productive for my poetry. I’ve written pieces inspired by such diverse sources as a convoluted train announcement and a Sorry You’re Leaving card.

The difference seems to be that I spent last week in Hove. This is on the south coast of England, more than eight hours away from Dundee by train. But once you’re there, it’s a pleasant walk into Brighton along the seafront, with plenty of tourist attractions along the way.

I must make it clear that this was a business trip, not a holiday. Yet after my shift finished at around 5:30pm, I had time spare with no washing to hang up or dishes to clear.

Unusually, I was put up in a hostel rather than a chain hotel because of where the office was located. I had a reasonably good experience there, but the bad reviews on TripAdvisor will probably inspire more poetry.

Despite the productivity I experienced, I’m still not of a mindset where I’d travel somewhere just for a holiday. I like to be somewhere for a purpose, else it feels like a waste of time.

A couple of years ago, I was asked to present workshops about National Novel Writing Month at a writing retreat called Chasing Time, run by three friends. They’re based in a large house in rural Angus.

Unfortunately, this particular workshop didn’t have enough subscribers to go ahead, but it would have suited me nicely to devote time to the other writers during the day, then work on my own project in the evenings. I’m pleased to report that their other workshops have all been successful.

The Secret Superpower

One of my favourite films is The Invention of Lying, starring Ricky Gervais. This is set in a parallel world where people can only tell the truth, so there’s no acting, no diplomacy and no religion. However, the main character unknowingly develops the ability to tell a lie. As a result, everyone else believes everything he says, no matter how outlandish.

It’s largely the opposite of Jim Carrey’s role in Liar, Liar, who develops the inability to tell a lie for 24 hours, making it difficult to continue his job as lawyer.

In both cases, there is a unique element about one person in the narrative universe that conflicts with the secondary characters who can’t understand what’s going on.

However, the concept needs to be done carefully so the audience can keep track of what’s going on. In The Invention of Lying, the rules of the world are explained as a voiceover at the very beginning. In Liar, Liar, the character is shown holding a blue pen while unsuccessfully trying to say it’s a different colour.

This type of secret superpower is one I’ve explored in my own novel-writing. Here, my main character can compel others to say something or to make a simple movement. He’s not the only one with the ability, but he belongs to a select band of people who do, still allowing that conflict with the rest of the world.

A Place to Speak

Over the years, I’ve been to poetry gigs in many different locations.

In most cases, there are only a few legal requirements, including the correct insurance, a PPL licence if music is involved, and an alcohol certificate if drink is served.

For this reason, pubs and cafés are a common choice, and many bookshops, theatres and libraries are able to help. And there are plenty of alternatives. A friend launched her novel in a bank, while my own Hotchpotch event has previously taken place on an ancient warship.

And now I have somewhere new to add to the list: a virtual reality studio. On Saturday, Second Space took over the place for one night only.

This studio is largely open-plan to allow two or more players to battle against each other wearing VR helmets. As a result, there’s an area large enough to seat 50 people comfortably.

The other unusual factor in this gig was the extent of technology involved. Each poet was accompanied by computer-generated fractal imagery such as you might find at a nightclub, plus short films screened between performers.

Even before I knew about this, I’d discussed with one of the owners the possibility of holding a special Hotchpotch there, as we’ll celebrate our 10th birthday in March 2020. From seeing how well the Second Space performance was staged, I’ll start making plans now and we’ll be all set for next year.