It can be hard to believe that that even well-known writers might only be one piece of work away from losing popularity.

Experience helps a lot, from knowing your particular audience to being aware of wider trends – not to mention fads – in contemporary tastes. However, there is no telling for sure how the public will react to the next offering.

A good way to look at this phenomenon is to consider the winners of the Booker prize. Here’s a list from 1969 to 2014, in reverse chronological order.

Only a few of these have become household names, such as William Golding, Salman Rushdie, and double winner Hilary Mantel. But mention Aravind Adiga, JM Coetzee or even the first winner Bernice Rubens, and it’s likely you’ll need to give a little more context about who they are. That doesn’t mean they aren’t popular writers among their fans, merely that their work hasn’t caught on with the public the same way as their prized novels.

But who needs to be an outright success as an author? There is a term in publishing known as the midlist.

These are books from authors that don’t shift in great numbers, but do sell well enough to justify remaining in print. By its very nature, there are no great examples of midlist authors, because most of a publisher’s roster is likely to fall into this category. In fact, remove the handful of high earners and everyone else probably fits there.

This structure seems to be particularly true in non-fiction. Friends who have told me anecdotally that writing articles can bring in a steady enough income to justify their efforts.

So even if your next project doesn’t catch on as you expected, give it a little time and see whether it fits within the midlist.

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