I was invited last week to be part of a one-off writing workshop. I knew little about the content in advance because it was brought to my attention by a third party. However, I believe improv keeps me sharp, so I was excited to go along and find out.
Martin O’Connor led us through the workshop. He’s interested in epic poetry, particularly in the Scots dialect, so he was holding these sessions around Scotland.
As part of the exercise, the eight or so participants were asked to complete several statements ranging from ‘My favourite holiday was…’ to ‘After death, I believe we…’ From these, we were asked to build a chronology of one aspect of our lives, before building up to the beginning of an epic piece of prose or poetry.
Martin invited us to send the work to him, either as it was written in the workshop or expanded into a full-length piece. The work didn’t necessarily have to be in Scots; in fact, none of the participants wrote that way.
Poetry is about boiling down big concepts into a few words, so for epic poetry, you need a lot of source material. Paradise Lost by John Milton is based upon Bible Scripture so he had a lot of material to draw up. Similarly, The Iliad and The Odyssey by Homer are both set over a 10-year period.
Prose allows a little more flexibility for expanding ideas. The classic example is War & Peace by Leo Tolstoy, which runs to 250,000 words. This took seven years to write, and is set during the Napoleonic Wars, which took place from 1803 to 1815.
This month, I’ve started upon my annual attempt at National Novel Writing Month, as well as leading the local region with the help of a co-host.
The target is 50,000 words, more modest than the works mentioned above, but the challenge is to write them all within 30 days. Fortunately, I’ll be spending a lot of time on trains, giving me ample time to boost that word count, and the region as a whole is nearly at the 300,000-word mark.
Of course, the new standard of epic literature is neither fiction nor poetry. In July 2016, Sir John Chilcot published his long-awaited report about the invasion of Iraq in 2003. It ran to 2.6 million words.