Review of the week.

Recently, I’ve been trying my hand at book reviews. It’s markedly different from ordinary reading and from fiction writing, as you’ve to make notes as you go along. From these notes, you then have to identify themes and techniques, and explain why the author has or hasn’t delivered a successful product.

The first volume I reviewed was In the Catacombs by Chris McCabe, which appears on the website of Dundee University Review of the Arts (DURA). I had some difficulty writing it, not only because this was one of my first pieces, but because I found the author’s research to be less focused than I would have expected. That point is reflected in the final piece.

One of the DURA editors then handed me Play with Me by Michael Pedersen, which I duly opined about. I found this one so much easier as I enjoyed his writing and the themes that emerged from it. It turned out after I’d submitted the review that the editor had given it to me purely for personal interest, but it was accepted anyway. I’ve heard the book publishers liked it as well.

Scrymgeour Building, University of Dundee
Scrymgeour Building, University of Dundee (Photo credit: Wikipedia)

There will also be a third review published in a few weeks, as each one goes through a rigorous edit. By that time, I’ll have returned to the MLitt Writing Study & Practice course at the University of Dundee. Part of your final mark depends upon carrying out a review of a live event, so this is prime practice. It also gives me an insight into how editors think and how to resolve any disputes that might arise.

A secondary benefit of writing reviews is exposure. The more publications in which you can place your name, the higher the chance that someone will have heard of you; like Jack Sparrow in Pirates of the Caribbean, I’m always pleased when this happens to me. Last week, I was recognised by an art student who had heard me at an event in May and enjoyed the two poems I read. I was especially pleased because I also enjoyed her Masters art installation so much.

That said, I forgot to ask DURA whether these reviews could be published under my pen name, as my real one is harder to spell, but I’m not bothered by it. It never hurt Peter Serafinowicz’s career.

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