Having been flat on my back with illness last week, I missed the chance to go to a play on 25 June called Shape of a Girl at the Little Theatre in Dundee. It tells the story of a Canadian girl who was bullied and subsequently found dead. I’d been invited by a friend, playwright Mark McGowan, who is involved with Dundee Dramatic Society.
By last Friday of that week, I was feeling much better, and Mark invited me on a backstage tour of the theatre used by the society. It really is a little place: more like a large house than a venue. The auditorium seats just 100 people, and I saw the actors holding an intense rehearsal session there for a show that opens in August. Backstage is upstairs in the attic space, accessed by wooden staircases at the sides of the stage, yet it houses a green room, costume store, sewing room, and a coffee bar.
As Mark persuaded members of the company to sign up for his latest production, I spoke with one of the actors. The theatre group has lasted around 90 years, and we discussed how it has managed to remain in its own niche against comparable venues in the city, and the potential threat from a cinema that is due to open across the road.
I also flipped through an index of plays, each with a summary of the plot and required number of actors. Between the ages of twelve and 14, I had a brief acting career through the National Youth Music Theatre. It now strikes me just how difficult it must have been to find a suitable script so we all had a part. Similarly, Dundee Dramatic Society are volunteers, so there is little control over the age and gender of the players.
I’ve only once tried my hand at playwrighting, and I enjoyed the process. The group that runs National Novel Writing Month used to run a similar event in April called Script Frenzy where participants were challenged to produce a 100-page script during the month. Many of my local SF group chose to produce screenplays, but I elected to write for the stage as it needs only two actors.
I haven’t redrafted the script since it was written. But I’m confident I’ll one day return to it, tighten up the dialogue, iron out any plot holes, and see it performed.