A couple of months ago, I discussed the content of rejection slips, or their modern electronic equivalent, which I’ve dubbed E-Rejection™ slips. In that entry, I discussed the feedback to one of my stories, The Strange Case of Mr Brown. I felt the editors had missed the point of the story by their response.
Last weekend, I received another E-Rejection™ from a local publication, and the sender told me that one of the two pieces had been discussed until a late stage in the decision making process, but both had ultimately been refused. That piece was The Strange Case of Mr Brown.
The latest slip didn’t provide any other information about either piece, but I had faith in Mr Brown. It’s written from the point of view of a lawyer in the late 1800s, so it has a certain period style that needs to be believable but understandable to a 21st century audience.
Yet there is such a fine line between self-belief and self-delusion, and not just in writing. It’s terrifically difficult to judge yourself honestly. Just look at the singers on talent shows who are so convinced they’re the next big thing while missing every note.
I’ve considered the question of how to decide whether your self-belief is justified or not. There is probably no single good way, but it’s worth examining any recurring themes in your feedback. If editors or reviewers have different negative comments to make, you probably haven’t made a complete hash of it. But if they all focus in on one or two negative aspects, then there’s a chance you need to put it more work.
One recurring theme I find is that editors like my writing style, but feel that the plot never took off. That often spurs me on to add twists that I otherwise wouldn’t have felt the need to include.
But if you have a better way of using feedback to your advantage, I’d like to hear it.